I prefer to be alone with my thoughts when it's dark outside I'm self-centred and always put myself first I'm only drawn to those who are heartbroken I don't have anything particular on my mind I prefer to think in solitude and darkness I'm selfish and only do things that benefit me I'm only attracted to people with emotional turmoil However, I don't expect anything to change They both have the same amount of power over me My heart keeps beating until it feels like it might stop I often ponder over how you may be feeling The references to contentment and a lack of resentment reinforce this idea that the speaker is comfortable with their emotional distance. The final lines of the song suggest contentment with this state of being, as the speaker expresses that their mind has been blank for some time and that they have nothing to express. The repeated assertion that the speaker only sways to broken hearts and does what is good for them suggests that they are not interested in investing energy in anything that might threaten their emotional equilibrium, but rather seek to maintain their personal stability. However, they also express a sense that there is nothing new about this internal struggle, reinforcing the idea that they are familiar with and comfortable in their own emotional state. The speaker then asserts that they are equally composed of love and loathe, which implies an inner conflict about their emotional attachments. The reference to blood beating and speaking until the speaker's face turns blue suggests both anxiety and emotional intensity. The opening lines suggest the speaker is preoccupied with how someone else is feeling, though they do not reveal who that person is or what the situation might be. You might never see Flag Day, you might hate Sean Penn, but even so, you can be thankful that such a production led to this breathtaking moment.In Hana Vu's song "Hearts in 2," the speaker reflects on their priorities and emotional disposition, suggesting that they only act in their own best interest. The song works because of the many different inflections he puts into the word “baby,” his stutter on “what” when he sings, “Nobody tells you what to do,” and a growl that sounds like the sigh of a mountain on those weighty, repeated, “Tick… Tocks…” Vedder’s version of R.E.M.’s classic song “Drive” is faithful and moving, as one of the greatest frontmen of his generation relies on restraint and understatement and resists the urge to bellow. But the arc of the album bends towards one moment - a mere cover, the umpteenth version of a track that has been sung almost as many times as The Star-Spangled Banner - and yet, like a bit of simple cloth and dye, it packs a surprising amount of emotion into a well-worn shape. Which is how we arrive at the official Flag Day soundtrack, a remarkable collection of songs far better than this sort of project usually deserves.Ĭat Power contributed three original cuts, and the great Glen Hansard collaborated with Eddie Vedder to pen some striking new songs, especially album standout “Flag Day” and the reflective “My Father’s Daughter,” sung by Vedder’s daughter, Olivia. Like those fluttering silk symbols, Flag Day is the sum of every action taken on its behalf. Some of that fickle glory has rubbed off on Sean Penn’s character in his new film Flag Day, a solemn drama getting mixed reviews.īut in judging the cultural impact, we won’t just look at the script, or the acting, or the sometimes bizarre statements the leading man has made when he’s ostensibly promoting the flick. A flag is a symbol - a vessel of fear or hope - weighed down and lifted up by the actions of everything done in its name. This week, Pearl Jam frontman Eddie Vedder takes on R.E.M. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. Find these songs and more on our Spotify Top Songs playlist. Song of the Week breaks down and talks about the song we just can’t get out of our head each week.
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